Monday, October 24, 2016

Introducing "Once"

     After a few months of sitting on this exciting and fabulous secret, I'm now pleased to announce my contribution to a new project: a collection of historically-inspired fairy tale retellings, all done by six indie authors! My story, With Blossoms Gold, is included in the collection along with some wonderful, imaginative other retellings set everywhere from World War II Poland to 1920s New Zealand.

     But I'm sure what you all want to see is the cover...here it is:


Six fairytales you thought you knew, set against a tapestry of historical backgrounds.

A lonely girl plots revenge in the shadow of a mountain. A stolen princess fumbles a century backward. A dwarfish man crafts brilliant automatons. A Polish Jew strikes matches against the Nazis. A dead girl haunts a crystal lake. A terrified princess searches a labyrinth. A rich collection of six historically inspired retellings, Once is a new generation of fairytales for those who thought they'd heard the tales in all their forms.

Featuring the novellas of Elisabeth Grace Foley, Rachel Heffington, J Grace Pennington, Emily Ann Putzke, Suzannah Rowntree, and Hayden Wand.

     My own story, With Blossoms Gold, is the story of Rapunzel set in Renaissance Italy. It was inspired by one thought: what if Rapunzel didn't want to leave the tower? This (non-magical) retelling of the Grimm's fairy tale has a tiny pinch of the Italian story Petrosinella in it as well. Throw in some battles, a dash of humor, and some really creepy catacombs, and hopefully you've got a traditional fairy tale with just enough added twists to keep you on your toes. You can take a peek at my pinterest inspiration board for With Blossoms Gold here.

     Want to hear about everyone else's tales? You can jump to their blogs below to hear more about their stories:


     Also, feel free to get the word out! You can tweet, facebook, tumblr, pin, and whatever else is out there these days (using the hashtag #OnceFairytales). Here are some blog buttons and photos:






     I'm so excited about this project, and I can't wait to share each of these marvelous adventures with you all. Having read each of the stories,  I can honestly say that they're well-written, fabulous retellings. We've got a mystery, a western, a dash of steampunk, and even a bit of time-travel in these stories, so there's a little something for everyone. 

     Interested in reviewing an ebook ARC copy? Email cinderella19395[at]gmail[dot]com for more information. Until then, spread the word :)

Tuesday, October 11, 2016

Battling The Modern Condescension

     Today I am going to talk about my greatest pet peeve as a historical fiction writer, a history major, and a reader.

     I recently was reading a comment on someone's Goodreads review where a reader was admitting that she didn't usually like reading historical fiction novels because she thought they were too depressing. I found that odd. I've read many depressing historical fiction books...but I've read plenty of comedic, romantic, and adventurous ones as well. It all depends on the plotline and subgenre.

     However, this attitude plays into a phenomenon I've seen in far too many books that tackle historical characters and events. It's a bit of a two part problem, so I'll do my best to explain.

The Historical Pity Party

and

The Unaccountably Modern Viewpoint

     Both stem from a somewhat arrogant and spoiled view of ourselves: that people of history who lacked modern conveniences, rights, or scientific knowledge couldn't possibly ever be as happy as people are now. Every woman trapped in petticoats and unable to vote must have been miserable; every man who didn't know that the earth traveled 'round the sun was lost in an abyss of ignorance that prevented him from true happiness.

     That's not to say that certain periods or events in history are not tragic. Any book centering on something such as the Holocaust, for example, will be serious and even graphic in its portrayal of human suffering. But there is a difference between a true account of an actual, historical tragedy and portraying a middle-class Victorian heroine through the lens of a 21st century writer who can't help but pity every part of her life in the 19th century simply because it was a part of the 19th century. Things were hard back then- of course they were. And I don't mean to view the past with rose-colored glasses and deny its moral and social problems. But every generation views itself as more advanced than those that came before it; many of these people we are pitying thought they had it so much better than those before them. An Edwardian Mamma wasn't mourning her lack of a computer because it never even crossed her mind that something like that even existed. She was probably too busy looking at her new vacuum cleaner and thanking heaven she had it so much easier than her grandmother. (Which is why I'm annoyed when people say, "Oh, I could never have lived in [insert time period]- I'd never survive without air conditioning/television /automobiles/pop music." Yes, you would have because you wouldn't have known anything different.) In a hundred years, I'm sure there will be technology that I've never dreamed of. Should these citizens of the future pity me or think I am incapable of a satisfied, joyful life because I don't have access to these things?

Obviously, anyone living in the twenty-first century must have been miserable and primitive- I mean, they didn't even have a cure for cancer yet! And no jetpacks. tsk, tsk, tsk.

     A hundred years from now, I don't want someone pitying me because I wasn't aware of or didn't have access to their "modern" conveniences. We live in a fallen world where there will always be problems, and those problems are real- I'm not making light of them. But we are not somehow "better" than those who lived in the past. And it does not do to disparage or disdain those in history, as if they were not as smart (or moral) as we are now. You, reader, only have your superior scientific knowledge because someone before you figured it out. You are not better because you own a dishwasher and a car and an ipod- did you invent those things? I didn't think so. You find the very idea of slavery morally deplorable? I don't blame you. But can you honestly say you'd think the same if you were living back in Ancient Rome when it was considered simply a way of life?

Not that I'm not thankful for what I have in this year of our Lord 2016.

     I like my laptop and my Avengers movies and my itunes account filled with NEEDTOBREATHE songs. I'm thankful for modern medicine and God bless the man who invented air conditioning.

.:
And I sure am glad computers don't look like this anymore
      So what's my problem? When I read a piece of historical fiction, more times than not I'm confronted with characters who seem almost resentful that they do, indeed, live in the past. It's a resentment that surpasses the universal and timeless human theme of discontentment with one's circumstances to a pointed discontentment with their personal timeline. It doesn't make any sense, because characters shouldn't have any sense that they are living in the past. To them, it's the present, with the future just around the corner. And one thing I've always wondered about the authors of such novels: what's the point of writing historical fiction if you're going to make your characters hate it so much? I suppose what I hate so much is the victimization of such characters (and real people of history): when they are made to be the objects of pity by a more "enlightened" people.

     The thing is, there's so much good in history in addition to the bad. There's heroism and humor just as much as there is villainy and sorrow. Honestly, I think we have a lot to learn from the past- not just from humanity's mistakes, but from their triumphs, too. There's a lot our ancestors got right, and half the time I find myself looking at the ridiculous "new" statements about God and the Bible people make today or roll my eyes at certain political movements and think, Good grief. We went over how flawed this idea was back in the 1700s...you missed the boat on that one, guys. 

     Another thing I've noticed is that often historical characters will have unaccountable modern knowledge that smacks of an author who just couldn't let her characters actually believe in period-correct ideologies, or even scientific "facts." Let's face it: Not many historical heroes and heroines actually think bloodletting or corsets are good ideas, because they are both frowned upon today. And if the characters do believe these things, the story must show how deadly they are.  (Ah, corset horror stories, which tend to make historical reenactors and those who've worn corsets livid, from what I understand. Also, here I insert kudos to Julie Klassen for The Apothecary's Daughter, the first modern novel I read that kept period-correct medical practices that were approved of by the main characters, even if the reader knew they were wrong). Many historical protagonists are stripped clean of politically incorrect ideas common to the time period they are living in, as if they somehow entered into the world with a postmodern, 21st century view of religion and politics right off the bat. Granted, there are some "common" historical ideas that really are hard to stomach and would make for a pretty difficult hero to like. However, I've seen many authors go beyond a simple neglecting of problematic ideology in their character to a direct proclamation of historically inaccurate statements, often used to make the more conventional (and historically correct) characters look foolish or unlikable. (I'd say the biggest culprits here are male characters who promote traditional roles for women and are made to look like domineering abusers who obviously only believe such things because they want to oppress and dominate women (or are ignorant and backwards). It's not like they could ever have some valid concerns or a Biblical basis for their ideas.)

     Sometimes this isn't intentional; sometimes it's simply ignorance (I'm totally guilty of this one, too, I'm afraid). Just as being an American can make me blind to Americanisms when I'm writing fiction set somewhere else, the same can happen in unintentionally giving characters modern views. It's a forgivable error, but a horribly common one. So many times we (yes, myself included!) take so many things for granted that we automatically insert them in novels, not even thinking that such an idea, turn of phrase, or mannerism is "modern" or time-specific. Yet novels are so much more encompassing and rich if authors can really delve deep into the philosophy, manners, and social constructs of the time period they're exploring. If you want to write historical fiction, I recommend reading books written and published during the era you're writing about. It's been one of the most helpful things I've ever found in my writing journey, and it's pretty darn fun, too. I understand that depending upon the time period and location of your story that this can be near impossible, but it is a wonderful resource if it's available. It can help you slip into the lingo, speech patterns, and nuances of the time that research from non-fiction can't always accomplish. It can also give you wonderful insight into the attitudes that prevailed during the time as well. The social and emotional climates of certain time periods are worth looking into. (contrast, for example, the optimism and patriotism of the "gay 90s" with the frenzied, desperate glamour of the "roaring 20s" just thirty years later. I love both time periods, but they are handled much differently in my writing.)

     Annnndddd.....my post is over. I feel like all of my writing-related posts can get a little annoyed and ranty, and for that I apologize. When it comes to blog posts and journal entries, I'm a bit of an "angry writer": I write to let out steam, which means I'm largely silent when I'm happy and very vocal when I'm not. Probably not a good trait to have. Personally, I'm just tired of reading historical fiction that make historical characters look ignorant, foolish, or evil because of the time they live in, or where characters are only likable and lauded if they are ahead of the times or espouse "progressive" views. Is this a problem any of you historical fiction readers have noticed? Or have I just been over-exposed to some very annoying books?
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